The Emergence
of Modern Ceramics
Casa Mazzotti, Tullio's house-cum-workshop-cum-showroom in Albissola Marina, currently headquarters of the Ceramiche Mazzotti, firm, was the emblem of his catalysing temperament, which gave birth to a flourishing artistic period and ranged from Futurism until the fifties and sixties. The house became a meeting place for several protagonists of innovative movements, such as Enrico Prampolini, Fortunato Depero, Filippo Tommaso Marinetti, Nicolaj Diulgheroff, Arturo Martini, Fillia, Farfa, Bruno Munari, Agenore Fabbri, Lucio Fontana, Enrico Baj, Asger Jorn, Karel Appel, Piero Manzoni, Giuseppe Capogrossi, Corneille and many others.
Tullio d'Albisola and his Correspondence
Since 1981 four volumes entitled "Quaderni di Tullio d'Albisola" by Danilo Presotto, have been published. They collect the prolific correspondence between Tullio and the personalities who came into his life. These letters are preserved in Tullio d'Albisola's document archive, guarded by Tullio Mazzotti's heirs.
Tullio Mazzotti, the Ceramologist
As an experienced ceramist, Tullio Mazzotti was art critic and expert ceramologist. He wrote essays on Ligurian and Albissola ceramic tradition, including:
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Fillia and Tullio d'Albisola, 1932.
1937. Bruno Munari and Tullio d'Albisola in front of Casa Mazzotti.
October 1951. Lucio Fontana, Tullio d'Albisola and Agenore Fabbri.
Presotto, D. (1987). Liguria (Ed.), Quaderni di Tullio d'Albisola: Vol. 4.
Tullio d'Albisola (1964). Del Milione (Ed.), “Saggio sulla ceramica popolare ligure” (Essay on Ligurian folk pottery).